The Madwoman Upstairs Summary :
In Catherine Lowell’s smart and original debut novel The Madwoman Upstairs, the only remaining descendant of the Brontë family embarks on a modern-day literary scavenger hunt (with the help of a handsome but inscrutable Oxford professor) to find the family’s long-rumored secret estate, using only the clues her eccentric father left behind, and the Brontës’ own novels.
>> Read full publisher description for The Madwoman Upstairs (Touchstone)
First up a confession… I know Charlotte Bronte’s Jane Eyre and her sister Emily’s Wuthering Heights are on practically every ‘books every adult should read‘ list, but I haven’t read them. I’ve only watched their movie adaptations – the darker, moodier ones from years past. The Wuthering Heights of my memories features a young Ralph Fiennes and Juliette Binoche and Kate Bush’s stirring debut single of the same name.
So why am I rocking the foundations of my bookish credibility by admitting this? To make it clear that you do not need to be a Bronte aficionado to enjoy The Madwoman Upstairs.
This title featured in my list of March book releases that caught my eye and the March 2016 Indie Next List. With the historic Oxford setting and the mention of a literary scavenger hunt I approached this novel with high expectations
The only remaining Bronte descendent, Samantha Whipple, is a prickly character, that I took a while to warm to. Her defensive, ‘smart’ discourse was a little too snarky (unresolved teenage angst) for my tastes at first. However, as Lowell gradually revealed the full extent of Samantha’ unusual upbringing, my feelings began to thaw. Around the same time Professor James Orville entered stage left (a worthy combatant to that snark) and the investigation into Bronte legacy began in earnest.
“I call that creativity,” Orville said. “The purpose of literature is to teach you how to THINK, not how to be practical. Learning to discover the connective tissue between seemingly unrelated events is the only way we are equipped to understand patterns in the real world.”
I found the academic debates and tension between the pair compelling (page-turning even), but it may not be to everyone’s tastes. This novel is not romantic in a modern sense. It is nostalgic, brooding and the weight of history and repression of feelings are central to this story… as it was in the lives and novels of the Brontes.
Catherine Lowell’s The Madwoman Upstairs is filled with literary references and parallels that will delight book lovers.
Remember the character Bertha in Jane Eyre?
Looking past several points of implausibility, I admired the complexity of the mystery crafted and the way disagreements on literary interpretation are used as a vehicle to arm the reader with the information necessary to solve it.
“My father used to say that all protagonists were versions of the author who wrote them—even if it meant the author had to acknowledge a side of himself that he did not know existed. It just required courage.”
The Madwoman Upstairs by Catherine Lowell is an entertaining trip down literary memory lane.
BOOK RATING: The Story 3.5 / 5 ; The Writing 3.5 / 5
Genre: Historical, Literature, Drama, Romance
About the Author, Catherine Lowell
Catherine Lowell received her BA in Creative Writing from Stanford University, where she was awarded the Mary Steinbeck Dekker Award for Fiction and received two Stanford University Arts Grants, and currently lives in New York City. The Madwoman Upstairs is her first novel.
In her acknowledgements Catherine refers to a much loved author of mine, Jennifer duBois, as one of the best writers and teachers she knows.
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* My receiving a copy of The Madwoman Upstairs from the publisher for review purposes did not impact the expression of my honest opinions in the review above.